Many thanks to saxophonist Tommaso Starace for tutoring the session in which we covered:
“Killer Joe” by Benny Golson
“Whisper Not” by Benny Golson
Looping on the first part C7-Bb7 vamp of Killer Joe, Tommaso suggested a few approaches we might use. The one he particularly wanted to used was triad pairs, alternating between C and Bb triads and their inversions – these could be played over either of the vamp chords. We all had a go at this, but (for me) it is definitely something for the woodshed. Tommaso also suggested playing out by alternating the consonant triads with up a semitone triads to good effect.
Other suggestions were the use of the pentatonic scale (C minor) and playing a digital pattern 1-3-5, 2-4-6, 3-5-7 over the changes.
The bridge section was then tackled and we all had a blow over the changes. In a fit of sadism, Tommaso got us to perform a complete chorus with only drums. this is very telling, and shows up (as Tommaso pointed out) any lack of knowledge of the arpeggios.
After the break we played through Whisper Not.
Many thanks to Tommaso for an enlightening session.